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The Styles of Port

The styles of Port are many and potentially confusing. Whereas it is perhaps not too difficult to grasp the difference between a Vintage Port which will age in bottle for many years and a Tawny which will see many long years in wood, the myriad of other styles and categories are not always so easily defined. Late Bottled Vintage provides enough of a challenge for most I suspect, but who can remember the definition of Crusted versus Vintage Character?

Broadly speaking, there are two styles of Port, those that see a significant amount of time in wood, and those that spend more time in bottle. The former includes the Tawny Ports (obviously) but also the Colheitas, most Late Bottled Vintage styles, Vintage Character and many entry-level wines - be they Ruby, undated Tawny or White. In the second group, we have the traditional Vintage Ports and also the increasingly commonly encountered Single-Quinta Ports, some Late Bottled Vintage wines and also Crusted Port. This subdivision into two is a useful start when considering the wines in question, but even this overly simplified list can be confusing. Fortunately for me, however, a recent tasting provided a good opportunity to examine and in several cases compare and contrast some of the common styles from two of the leading Port houses, Dow's - a longstanding member of the Symington Group - and Taylor's.

Taylor's 30 Year Old Tawny PortThe tasting opened with a selection of Tawny Ports, starting with two 10 Year examples. Tawny wines that bear an indication of age such as these are produced from some of the best wines of the harvest, although the very best will of course go into the Vintage Port. The wines go into wooden casks, typically holding about 600 litres, where they undergo a process of slow oxidation and esterification, accompanied by evaporation. The rate of evaporation and maturation is dependent on temperature; wines held up in the Douro Valley will develop quicker than those in the lodges in Vila Nova de Gaia, and may also show a rich toasted character known as the Douro bake. Blending is a complex process, which aims to generate a continued production of wines of a variety of ages, up to 40 years old in some cases, which maintain the house style. Of the two 10 Year wines here, the Dow's had a very typical appearance and archetypal character for such a wine, whereas the Taylor's showed a less affected colour and had more richness. I found I preferred it to the Dow's. Thereafter greater excitement came with greater age, with the most exciting wine being the 40 Year example from Dow's.

Next came two examples of Late Bottled Vintage Port, sadly not from the same vintage, one having been born in 2001 and the other in 2002. It seems very appropriate to review the LBV style using at least one wine from Taylor's, however, as this house is widely credited with its creation. When times were hard, during the first half of the 20th Century, a shortage of willing buyers meant that many houses held vintage wines in wood longer than would have usually been the case. Although technically these wines would today be regarded as Late Bottled Vintage, it was the addition of a Vintage Reserve to the range by Taylor's that was the real kickstart. Regulations for the new category for soon drawn up by Port's governing body, the Instituto dos Vinhos do Douro e Porto, and the 1965 Taylor's Late Bottled Vintage was the first such wine to be released.

Dow's Late Bottled Vintage PortThe regulations stipulate a bottling time which ensures the wine remains in vat, which may be wooden or stainless steel, for a minimum of almost four years following the date of the harvest. The earliest date of bottling is July 1st four years after the year of harvest, and the latest is December 31st six years after the harvest. There are, however, two different paths that may be followed at this point, producing two distinct styles of wine. The first path adheres to the Taylor's methodology, which is filtration, fining and cold stabilisation, producing a wine which is ready to drink and which will throw no sediment. The second, designated Traditional LBV, involves bottling with no such interventions; these wines will often throw a crust in the bottle, and will also frequently improve in bottle for several years. They are also distinguished by being sealed with a driven cork, rather than the cork stopper which is associated with the former method. Of the two tasted here, I held a preference for the Dow's, although as the wines encompass two vintages the comparison is not really a fair one.

Crusted Port is a style that I have not frequently encountered, no doubt as it is a minor component of the Port firmament, a fact mirrored by the presence of just one example in this line-up, from Dow's. The style evolved as a blend across vintages, aged in wood for just a few years and then bottled without any treatments such as filtration, hence the wines are prone to developing a crust. Today many houses produce a single vintage example as an alternative to the blended non-vintage; in both cases, as these wines have been less manipulated than their LBV counterparts they are much closer to a Vintage Port in style and should not be overlooked. I was certainly impressed by the example presented here, which was a non-vintage blend. In this case it is the bottling date that becomes important; the example here was bottled in 2002, and so has had about five years further ageing since then.

Moving on, although every Port savant looks for news of a vintage declaration, today the Single-Quinta wine has eradicated the famine of the intervening years that would otherwise exist. Many houses now take the produce of their top vineyards and bottle these in years where a vintage Port is not otherwise declared. As far as the Instituto dos Vinhos do Douro e Porto is concerned, these wines are subject to the same stringent regulations as the more widely known Vintage Ports. Of those tasted here, there were three Single-Quinta examples presented, and two Vintage Ports, both of the 1985 vintage. In each case the wines will have been assessed by the Instituto between January 1st and September 30th in the second year after the harvest. This is also commonly the time when the wines are bottled and shipped. The line-up featured wines from Quinta do Bomfim and Quinta da Senhora da Ribeira, both sources of top quality wine for Dow's, destined for the Vintage Port in a declared year, as well as Quinta de Terra Feita and Quinta de Vargellas, which serve the same role for Taylor's. These wines preceded a tasting of the 1985 Vintage Port in each case, a year which produced many good wines although about which some in the trade still hold some reservations. (29/4/08)

The Styles of Port - Tasting Notes

Tasted in London in November 2007. Click to locate stockists.

Tawny Port

Dow's Ten Year Old Tawny NV: Current release at the time of tasting. An attractive orange-tawny hue. A good baked character on the nose, notes of raisins and nuts. A good texture, with a nice, feral, furry edge. Appealing weight and impact, and a nice, woody grip. Good for a ten-year old. 16.5/20

Taylor's Ten Year Old Tawny NV: A nice tawny, brick red hue. Good fruit on the nose for a tawny, too. The palate has a surprisingly full presence, it is almost a little creamy. Certainly it has a fuller style than many wines of a similar style shown here. A good substance, with lovely firm fruit, tannin and grip. Lots of impact. This has a punchy style. I like it. 16.5/20

Taylor's Twenty Year Old Tawny NV: This is much more traditional in style than the ten-year old, although it still has a pink tinge to the otherwise tawny hue. An appealing mix of gentle fruit on the palate. Really very silky on entry, but still carrying a good flesh and weight. A gentle midpalate grip and a lovely backbone. Meaty finish. Great length. This really does have fine style. 17+/20

Taylor's Thirty Year Old Tawny NV: This wine has a much richer hue apparent, showing a tawny-toasty brown. Very mature in style on the nose, and on the palate it is dry, grippy, with a gentle texture, and a nutty, baked earth character. This is very stylish indeed. Nevertheless, although nicely composed, it has a quality very close to that of the twenty-year old. 17+/20

Dow's Forty Year Old Tawny NV: Current release at the time of tasting. Not available in the UK, I am informed. A toasty brown hue, this wine has an evident and appropriate complexity on the nose, which carries sweetly perfumed fruit and aromatic wood spices. Lovely substance on the palate, especially for the wine's age. Great flavour, still showing some fruit which is impressive, and it has a lovely presence in the mouth. Grip and spice, and a delightful silky smoothness laid over the flesh of the wine. This is very good indeed. 18+/20

Late Bottled Vintage Port

Dow's Late Bottled Vintage Port 2001: A good depth of colour here. Nice woody-figgy fruit on the nose, and I sense a drier style than the non-vintage Crusted Port, which I tasted alongside this. Fine character. More reserved, but with a good sweetness nevertheless. Sandalwood, figs on the palate also, good fruit. Lots of grip here. A good style. 16.5+/20

Taylor's Late Bottled Vintage Port 2002: A deep colour. On the nose, notes of sandalwood, figs, spices and white chocolate. Rather stylish palate I think, showing a good weight, with lots of spice and structure. A feral, interesting flavour profile. Lots of grip at the finish too. Overall, being critical, it is a touch reserved and lean, but it is good, and for a less than exalted vintage I think this is a success. 16+/20

Crusted Port

Dow's Crusted Port NV: Bottled 2002. A deep colour. Current release at the time of tasting. Sweet fruit on a rather furry nose. This has a gentle style, although it has a lovely creaminess to it, and it has a nice backbone, although that is not to say it is packed with grip. Attractive sweet raspberry and white chocolate. This is appealing and easily approachable. Impressive for the style. 16.5-17+/20

Single-Quinta Vintage Port

Dow's Quinta da Senhora da Ribeira Vintage Port 2004: An incredible colour, and on the nose lots of evocative fruit, with an admirable intensity. It has a creamy start, and is well rounded and presented, but it does not carry a lot of flesh at the present. It has good structure, but not a lot of direction. Softly textured, unfocused. There is a bit of grip and some attractive spice, but overall I think this lacks a frame that would give it real appeal. But some development is possible. 15+/20

Dow's Quinta do Bomfim Vintage Port 1996: A fine colour here. The nose is developing nicely, it is rich in fruit but also carries meaty and cedary undertones. It has a very attractive silky-edged texture and a lovely weight. Very well defined, and there is some good grip through the midpalate and at the finish. Really good style at this point. Very nice now, but potential for more here. 16.5-17+/20

Taylor's Quinta de Terra Feita Vintage Port 1996: Rather reserved and quiet on the nose, not so expressive as some of the other wines tasted alongside. The palate is fat and yet has a suppleness also, with a nice seam of tannin running through it. Fine acidity backs it up. A good style. This has potential, and could be very good indeed. 16.5+/20

Taylor's Quinta de Vargellas Vintage Port 1998: Very typical Taylor's style on the nose, rather reserved, spicy and stylish fruit. Gentle, and a lovely silkiness to at the start. Fine fruit, very stylish composition. Appropriate grip and texture. Lots of tannin evident on a second taste. This is rather good. 16.5-17+/20

Vintage Port

Dow's Vintage Port 1985: A great colour, and a gentle nose of maturity. An elegantly composed palate, although it still shows quite a little extract, tannin and even a little spirit. Nevertheless it has a very admirable structure, and a supple style that makes it easy to drink now if one appreciates impact and substance in Port. But it should be good for a few years yet, and will evolve but not change much in terms of the pleasure it gives I think. 18/20

Taylor's Vintage Port 1985: A paler hue than the Dow's 1985 above. Typical for Taylor's I think. Notes of woodspice and pepper, very slightly spirity. Nevertheless, a delicious texture on entry, supple and stylish, although with a very firm weight, firm tannins and good acids. Again this is fine to drink now, although it still holds some potential now. Very good indeed, bordering on excellent. 17.5+/20