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Chateau Montrose

"The key to success with Chateau Montrose", opined my knowledgeable friend, "is to tuck away a bottle, preferably a wine from an off vintage, in the cellar and then simply forget about it. On returning in fifty years time you will find a vinous pleasure beyond the comprehension of us mere mortals". Sadly my own tasting experience does not include examples of Chateau Montrose as they enter their sixth decade, but my friend was quite adamant that the 1952 (actually I forget the vintage, but it was certainly about this sort of age) was one of the best wines he had drunk in many years. Clearly there is something very special about certain bottles of Montrose.

In researching the history of the vineyards of Bordeaux, it is not uncommonly that I find myself delving into medieval history, stories of 12th Century fortresses, ancient seigneuries and the Hundred Years' War. Not so with Chateau Montrose, which is one of the younger members of the classed growths of the Médoc. At the end of the 18th Century the land which today is the Montrose vineyard was nothing more than heather-encrusted moor-land, owned by the Ségur family. In 1778 it was acquired, as part of the Calon estate, by Etienne Théodore Dumoulin, who seems to have done little with it other than bequeath it to his children upon his death in 1806. Of his three children it was one of his sons, also Etienne Théodore, who took control. His attention was drawn to part of the estate, a plot of land to the south of the Calon vineyard and adjacent to the Gironde, entitled La Lande de l'Escargeon, the situation of which was such that it clearly had potential as a vineyard. Having cleared the heather and scrub the soil beneath was gravelly, and indeed was eminently suitable for the vine, and planting was underway by 1815, with good results. By 1820 Dumoulin had expanded the vineyard and erected a small chateau. Fast work indeed!

The estate remained part of Calon for four years, until Dumoulin sold off much of his property, with the Calon vineyard passing into the ownership of Firmin de Lestapis. He retained the Escargeon vineyard, and continued to pour his energy into its development. Within a year the estate had been renamed Montrose and the wines were sold as Montrose-Ségur, the derivation of this new name uncertain, although it is postulated that it originates from mont-rose, referring to the pink heather that covered the gravel croupe before it was cleared in the establishment of the vineyard. Within eight years of the sale of Calon, Dumoulin had a fully operational vineyard with over 30 hectares of vines, and a chai and other buildings sprang up to accompany the chateau. Nevertheless it seems that Dumoulin had an unrelenting passion, and through the purchase and exchange of vineyards with neighbours, the Montrose estate continued to expand, the vineyard accounting for 50 hectares by the time of the 1855 classification, when it was ranked as a deuxième cru. The Dumoulin era, that which essentially saw the creation of Montrose, effectively came to an end in 1861 with his death in Paris. His two adopted children inherited the estate, but had little interest in it, and five years on it was sold to the next great figure in the history of Montrose, Mathieu Dollfus.

Dollfus was, in contrast to the vendors, very interested in the estate, and there was further investment and expansion under his tenure. Dollfus not only extended the chai and constructed new accommodation for the workers, he also built a well to provide fresh water, and before long there was a small but thriving community living at Montrose, no doubt also attracted by the employment benefits offered by the enlightened Dollfus, which included profit sharing and health care, both quite radical practices for the 19th Century. He even went as far as to construct a small railway to transport the wines from the cellars down to the river, where they rested on the newly-built landing stage before being shipped upstream to Bordeaux. And in 1887, shortly before his death, he was also the founder of a limited company, the Société Viticole de Chateau Montrose, assuming the role of Managing Director. So it was that with his passing the company passed to his heir, Charles Dollfus-Galline, who within two years had sold Chateau Montrose, the new owners being two brothers, Jean-Justin and Jean-Jules Hostein, who also owned Cos d'Estournel. Sole ownership quickly came to Jean-Jules, who sold it in 1896 to his son-in-law, Louis Victor Charmolüe, for a knockdown price. It remained in the Charmolüe family until very recently.

The end of the 19th Century saw Phylloxera ravage the vineyards of France, but whereas Dollfus had struggled on with many of the novel techniques employed in the vain hope of eradicating the pest, it was Charmolüe that undertook the replanting of the vineyards on American rootstock. The quality of Montrose was maintained throughout his efforts, in the face of vineyard disease, war and economic depression. This was still the case when Louis Victor Charmolüe died in 1925, bequeathing the estate to his son Albe. Albe was forced to sell some plots of Montrose in the struggle to stay solvent, and to make matters worse a fire in the cellars in 1932 destroyed a considerable amount of stock. During World War II the estate was utilised by the occupying German forces as an artillery base, and the vineyards made a handsome firing range. It is perhaps not surprising that the estate and vineyards suffered some bomb damage. It was a sorry state of affairs when Albe died in 1944, control passing to his widow Yvonne Charmolüe, and then to his son Jean-Louis in 1960. Jean-Louis provided the much needed enthusiasm and investment to lift Montrose from this miasma, and indeed his efforts seems to have paid off. New equipment in the chai in 1975, and again in 1985, a new barrel cellar and the introduction of a second wine in 1983 were just part of the program of renovation and refurbishment. He sowed the seeds for Montrose's renaissance, which reached a crescendo at the turn of the century with some highly lauded wines, not least the almost mythical and certainly most expensive Montrose ever, the 2003. The estate and the wines were enjoying a grand reputation when, in 2006, it looked set to change hands once more.

Montrose went on the market in early 2006, the likely buyers Martin Bouygues, owner of the eponymously named construction firm Bouygues, and his brother Olivier. The sale went through, although the dust does not appear to have settled just yet. An immediate challenge was made by Caroline Charmolüe, the vendor's daughter. As yet this new twist in the story remains unresolved, although the Bouygues brothers have full control, and have installed Jean Delmas, onetime winemaker at Haut-Brion, in charge of the chai. Meanwhile, Jean-Louis and Anne-Marie Charmolüe having left to take on the running of a small domaine in Provence. We must wait for the wheels of the French legal system to turn to see how this challenge turns out.

The vineyard reached its present size of 65 hectares under the tenure of Dollfus, and these have a beautiful position on a slope running right down to the Gironde in the south-eastern corner of the St Estèphe commune. As you travel north it is the last of the great gravel croupes which run alongside the Gironde and which have proved to be such perfect soils for the red grapes of Bordeaux. Much deeper, of course, is the clay of St Estèphe. The vines here are 65% Cabernet Sauvignon, 25% Merlot, 8% Cabernet Franc and 2% Petit Verdot. The mesoclimate is favourable, mainly because of the proximity of the Gironde, and the slope of the vineyard, generally allowing slightly earlier harvest here than elsewhere in the Médoc. This is done manually, with a sorting before fermentation in stainless steel with up to thirty days maceration thereafter. The wines go into oak, 70% new for eighteen months for the grand vin, Chateau Montrose (typically 19000 cases per annum), and 20% new for twelve months for the second wine, La Dame de Montrose (typically 9000 cases per annum), named after Yvonne Charmolüe, who ran the estate from 1944 to 1960.

Thinking back to my friends comments, which referred to a specific experience with one bottle, the thought that Montrose might overperform in weaker vintages is perhaps a rather simple assessment. It is more widely accepted that Montrose is a property that offers great consistency through many vintages, poor and strong, and also has a propensity to age very well, with bottles from the first few decades of the 20th Century reported to be holding up very well. A slightly more recent vintage, the 1964, shows how Montrose may benefit from the aforementioned favourable climate, as earlier picking meant Montrose was one of the few estates that excelled in this very wet vintage, most others bringing in swollen, diluted grapes following extensive rain. The 1997 vintage was another where Montrose certainly faired much better than many of its peers. Other vintages display the success of the 1980s, with even the 1983, often reported to be a weaker vintage for Montrose, encountered in a blind horizontal tasting, showing very well indeed. (31/1/07)

Contact details:
Address: Chateau Montrose, 33180 St-Estèphe
Telephone: +33 (0) 5 56 59 30 12
Fax +33 (0) 5 56 59 38 48
Internet: www.chateau-montrose.com

Chateau Montrose - Tasting Notes

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2007

Chateau Montrose (St Estèphe) 2007: This is 64% Cabernet Sauvignon, 30% Merlot, 5% Cabernet Franc and 1% Petit Verdot, with 60% new barrels. A dense hue, and on the nose little more than some smoky, brooding fruit. Very complete style on the palate, easy and approachable with some substance. The tannins are well covered, and there is some texture which is impressive for the vintage. It seems ripe, and impressive in terms of its dry structure. Fresh acids too. There is some potential here. From my 2007 Bordeaux en primeur assessment. 16-17+/20 (April 2008)

1997

Chateau Montrose (St Estèphe) 1997: A dark, mature colour. On the nose this wine is inky, dull, fairly closed. On the palate it has a rounded texture, with somewhat sweet fruit, and good balance. Fresh, cleansing acidity. Some tannins and a little length. After tasting the remaining wines it becomes apparent that this is one of the better wines of the tasting. From a 1997 Bordeaux tasting. 15.5/20 (February 2003)

1986

Chateau Montrose (St-Estèphe) 1986: A good mahogany red colour. Rich yet gravelly red fruit gives the game away - this has to be the Montrose. Firm but elegant tannins on the palate, with finely balanced acidity. Lovely stuff. From a Bordeaux 1986 tasting. 17.5+/20 (February 2001)

1983

Chateau Montrose (St-Estèphe) 1983: A darker, treacle coloured wine. Black fruit on the nose, with a touch of rubber and marked, gravelly undertones. This wine is very different - probably the St-Estèphe. A slim, elegant, black fruit palate. Peppery notes, good balance, altogether a lovely wine. From a Bordeaux 1983 tasting. 17/20 (November 2000)

1981

Chateau Montrose (St-Estèphe) 1981: Also a dense, caramel-purple wine. Toffee, ripe fruit and even a touch of coffee on the nose. Ripe and fleshy on the palate, loaded with mineral fruit. Good tannins and a chewy structure, leading into a soft but powerful finish. Very good. From a Bordeaux 1981 blind tasting. 17.5+/20 (September 2001)

1964

Chateau Montrose (St Estèphe) 1964: A beautiful fading red hue, with hardly a touch of tawniness to it. The nose is dominated by a beautiful combination of rich, fruitgum raspberry fruit with attractive, sweet oak, a truly enticing and elegant bouquet. The palate has lovely texture, with more sweet, clean fruit. Absolutely correct acidity, and gentle tannins, mean this wine is drinking beautifully right now. The finish retains that silky texture, and there is a pleasant length. The September rains in Bordeaux in 1964 ruined many wines, but Château Montrose, who finished picking just before the rains began, have crafted a superb wine here. From a Bordeaux 1964 tasting. 17.5/20 (October 2000)